Nero by Little Tybee
Needed a pick-me-up after the events of last week. Really looking forward to their new album out April 5th on Paper Garden Records.
Radiohead surprised everyone today and released their new album The King of Limbs. Fans in the states cheered to have the album a full day early, from scheduled release, to celebrate an unusual warm snap. Spring had come early, complete with it’s own soundtrack. Somehow it felt right.
However not all people were as happy as the fans. Reviewers, surprised by the sudden release, scrambled to have some sort of reviews online. Some snarky reviews even pointed a finger at the band.
“Radiohead’s release schedule is not, you imagine, geared towards helping music critics. Minimal warnings, last-minute changes of plan and confusing announcements posted on Twitter in Japanese – does Thom Yorke not realise we have tight deadlines? The end result is a mad-rush by critics, bloggers and Tweet-freaks to be first to post their opinion on The King of Limbs’ eight tracks. Trouble is, Radiohead don’t make music designed for a hurried listen. A couple more plays down the line and the opinions you read here may be subject to change.” – Radiohead – The King of Limbs: First review
The truth is, while Radiohead may not have shattered every soundscape ever conceived with The King of Limbs they did do one thing which is an innovation in the music industry, not one solitary copy of The King of Limbs was leaked to file-sharing services. Not one review came out ahead of time. This album came out at the same time for everyone – you, me, reviewers, and the thieves. I have never heard of in the past 15 years any major album, by a major band no less, not get ratted out by some unscrupulous reviewer’s copy finding it’s way on the net.
This was a media blackout in the best way possible, and I for one was glad not to have reviewers barking their opinions at me. When did we as music listeners stop making our own decisions about what music we like or dislike by how it effected us upon our first unfettered listen. Why must EVERYTHING we consume need to be put in context by some know-it all who tells us why and how we should appreciate it. Art is about making your own mind up about what you are experiencing and no professional who spent years at journalism school is going to change that.
Today was an amazing day not just because of what I heard, but mostly because of what I didn’t.
Eliza Skinner of elizaskinner.net and NastyCute visits the treehouse to discuss her new projects as well as her move to LA. We discuss everything from tiny cakes to musicals. It’s a new year and a new Tracks Up The Tree. Thanks for listening!
All songs can be found on our January MOG Playlist.
In our first iChat TUTT has a few issues, sound quality being the biggest. We’re still trying to lock down how we do these, but we hope you enjoy the madness.
Everybody’s favorite musical noodler is back at it with what can be considered a rocker… for him. Sure it’s whispery and filled with all the over-lavish overlapping lutes you’d expect from Sufjan Stevens, it also is the most direct album Stevens has made in a while. All Delighted People while full of the polite Simon & Garfunkle plucking guitars has a finger pointed out – at you, rather than toward you.
Unfortunately, there is a little too much signature musical and vocal noodling, which leaves the album feeling more like an idea rather than a statement. Nothing exemplifies this more than the unconvincing electronic passages, which sound more like Sufjan expressing his amateurish appreciation of the form, rather than its mastery. While All Delighted People is gorgeously produced, as we have come to expect, it left me feeling that Stevens is dealing with a real identity crisis between being an singer-songwriter and his newfound place as a classical composer. Songs such as “All Delighted People (Classic Rock Version)” promise a focus back on Sufjan’s roots, but the 8 minute track is a meandering composition and neither classic or rock.
While there are beautiful moments to All Delighted People which will make a listen enjoyable, the album follows Sufjan farther down the avante-guard hole he fell into after Illinoise. More strings, more production, less structure.
(Sittin’ On) The Dock of the Bay released January 1968
Recorded Nov 22 & December 8 1967
Today we break from our usual format, and take you behind a song that I hold dear to my heart.
Recently I found a great Mac utility that does the whole tag stripping thing from Apple’s purchased music much more effectively. The Tagger ($29) is a Mac utility which can edit and remove any embedded tags from MP3s or AACs. It works seamlessly on most files and very quickly does the process for multiple files. It’s biggest issue to my mind is its price. $30 for a glorified tag editor is… well… very high, but if you are editing masses of tags, it can be worth it. If the dev halved the price, I think they would be MUCH more successful.
Now, I am a fan of Apple’s music store. It’s the easiest way to buy music, the selection is great, and the quality is f-amazing. The only thing I’m not a huge fan of is my username and e-mail address being embedded in the audio files. (to see this screen head to FILE > Get Info)
To my mind anything other than the purchased audio accounts for DRM and I don’t want it. While I’m all for legal downloads, I’m not into being tracked, no matter how legal you make it. Lucky for you and me the account information is actually embedded at the last moment of the iTunes purchase and download process. Which means it isn’t hard embedded, it’s only some additional meta-data. I will have to mention, at this point, that this process only works on iTunes Plus (.m4a) files downloaded from the iTunes Music store. It will not work on older iTunes Protected files (.m4p) although protected files can be upgraded in the iTunes music store to iTunes Plus for a nominal fee.
To remove the meta-data, you need an program which doesn’t recognize the additional meta-information and a way to save the audio losslessly. The program that fits the bill is Rogue Amoeba’s amazingly versatile Fission ($32). It’s a lossless audio editor for the mac and it’s a seriously wonderful tool that I use on a daily basis for editing audio files and creating ringtones. To remove the meta-information, open the iTunes Plus file and re-save the audio.
That’s it. It losslessly saves a .m4a with no user information embedded and best of all, it doesn’t recode or transcode the audio (as with some other burn a CD and reimport methods). It is exactly the same quality coming out as it went in.
A few things you might notice about this process is that the file size will drop after saving. Not entirely sure why. Perhaps removing all that extra meta-data cleans house a bit. You will also notice that the bit-rate for the file will go from 256kbps to something else. This is normal and because Apple, in an attempt not to scare it’s users with different variable bit-rates from the encoding process, makes every file share the 256kbps regardless of it’s true bitrate. Lastly, Fission adds 0:00.032 of audio to the track? While odd, this shouldn’t actually effect the sound, as it’s 0.03% of a second, so unless you have crazy dog ears, you wont hear it.
Best of all, now you have an audio file that has none of your private data attached, which in my books is truly DRM free.
Another show? 2 weeks after the last one? That’s impossible. 5 years worth of podcasting and this is what it results in. This show.
Are you kidding me? A real honest to blog (joke!) Tracks Up The Tree? This must be some sort of mistake right? I mean… Funtime Ben and Just Josiah are dead right? Or are they?
Yes, yes. Get it out now before you’ve heard the thing. It’s TUTT. Back again for yet another stretch. and you thought we abandoned you? PSHAW! You know the drill, it’s talk about not podcasting, Josiah, girlfriends, cats and a smidge of that old time indie music. Hope you guys enjoy.
Oh and on the reals, the fruit basket is awesome, I am just bad with fruit. Thank you to the lovely person who sent the fruit basket.
Speaking of my girlfriends cat… I give you my hilarious girlfriend, writing about her cat eating plastic. When it rains it purrs.
I still got it!